A Suitable Punishment

March 23rd, 2009
Moonscape

Moonscape

How do you punish a person who feels no remorse?  Along the same lines, what is a suitable punishment for those who have driven the world to financial ruin?  What retribution awaits the architects of our disaster?

Abject poverty.

The rest of their lives spent in squalor, stewing weevil-infested maize meal on a rudimentary charcoal cooker, sleeping under a tattered mosquito net on a mat covering a dirt floor, sparingly using toxic bug spray to keep the cockroaches out.  Ideally there would be some poetic justice in the choice of under-developed country in which they’d be deposited - a nation riven by resource wars fueled by first-world demand that they helped drive, or perhaps a state crippled by arbitrary debts and structural-adjustment loans (though perhaps that is a net cast too wide for any satisfying irony).

What distinguishes this punishment from simple revenge is that its “victims” would have as much freedom as most members of the society in which they find themselves.  In some cases their freedom would be greater: if they caught malaria, diarrhea, or some other disease, they would be given medicine without charge.  In other cases, it would be less.  Specifically, they would not be allowed any income greater than the what the majority of that country’s extreme poor take in: $1-2 a day - though this would be provided for them if they could not find work.

What’s more, their income would rise with that of the poorest billion.  Not that they would have any say in the matter (the poor never do - and criminals have even less), but if a decent standard of living became universal, it would be not be denied to the indicted.

Is this unfair?  Is it too lenient?

(A similar question is asked in the Propagandhi song “Iteration” - scroll to the bottom at the link for the lyrics.  I think they do a better job of answering it than I did here.)

Lost Pet Series #2

March 20th, 2009
Lost Pets #2

Lost Pets #2

The Lost Pet Series is a collection of photographs of lost pet flyers.

My artist statement can be found here.

Art and Entertainment

March 14th, 2009
Lansdowne Mall, Richmond

Lansdowne Mall, Richmond

As I mentioned in my post about the point of art, “entertainment” and “art” are two different things.  They often mingle, and it can sometimes be difficult to tell them apart (this becomes a matter of taste).  What distinguishes entertaining art from artistic entertainment can be something as subtle as context (is it in a gallery?)  If it’s possible to categorize creative works - a big “if” - then it might be easiest to create a scatterplot chart (not unlike the “political compass“) with “Art” on one axis and “Entertainment” on another.  It would be incorrect to imagine Art and Entertainment as two ends of one spectrum.

I have finally started to come around to the idea that it’s possible for television programming to count as art.  What kept me so hostile to that notion for so long is the fact that all TV shows exist, more or less, to provide captive audiences for advertisers.  If advertising did not exist, neither would television as we know it.  However, this view is too simplistic.  It doesn’t recognize that the form of TV (serialized, long-term storytelling) can be applied to any end and should rightfully be distinguished from the content, nor does it admit that it is possible to work within the system without necessarily being complicit to it.  What’s more, the advent of DVD, PVRs, and a vibrant bittorrent community is starting to leave advertisers out of the loop - allowing TV shows to be appreciated without interruption.

Naturally, most TV has a high entertainment quotient.  If it didn’t, there would be no captive eyes for advertisers - a televised Damien Hirst would not last very long.  (Now that I think about it, Invader Zim might be the nearest equivalent.  It survived for one season before being cancelled unceremoniously.  Invader Zim was art.)

On the art side, Dada is a classic example of a playful and entertaining art movement that can be found in any art history text book (though there are still those who would question whether Dada works are “art” - and Dada works would not have been considered “entertaining” when they were new).  Works like Yves Klein’s “Leap into the Void” carry that playful and inquisitive thread onward, but are far too open-ended to be entertainment.  Banksy is perhaps the best known contemporary artist to really tread the line between art and entertainment, while remaining on the side of the former (his work, though popular and marketable, is still far too subversive to be fit into the latter box).

I’m not really ready to tackle a definition of art (or of entertainment) - at the moment I’m still trying to organize my thoughts.  For now I will settle for some assorted postulates:

• Advertising (billboards, tv spots, etc.) can never be art.  It can be extremely creative or beautiful, but it does not exist for its own sake (though art doesn’t need to), and any message or feeling it might convey is secondary to the primary objective of selling a product.  Indeed, any “aesthetic emotions” it achieves are funnelled towards the product and away from the work itself.  (I should note that as of this writing I haven’t read the linked essay in a very long time.  I link it because, as far as I know, Bell coined the phrase “aesthetic emotion.”)

• Art does not need to be an object (a painting, a sculpture), does not need to live in a gallery, and does not even need be “intended” as art.  Again, context is key.  Damien Hirst called 9/11 “wicked, but a work of art,” and on some level I can’t help but agree.

• Entertainment turns the brain off.  Art turns the brain on.  This is part of the reason why entertainment is so popular: after a long day at work, most people haven’t got the energy to feed a busy brain.  For what it’s worth, an “off” switch for the brain can be useful.  After any strenuous exercise, mental or physical, an aid to relaxation and recovery is essential.

The problem lies not in the fact that entertainment exists and is the mental equivalent of processed sugar, but in the fact that entertaining candied treats are not appropriately balanced by healthful and challenging art works.  We have work to do!

Everyone Must See “The Planet”

March 8th, 2009
Decaying Neighbourhood

Decaying Neighbourhood

I’m going to break with my format of non-curatorial blog posting because I really think this film is essential viewing.  I can’t stress enough how important it is.  It’s called “The Planet“, it was directed by Michael Stenberg, Johan Söderberg and Linus Torell.  It’s a documentary about the myriad ways that we are destroying the Earth.  I saw it at the Vancouver International Film Festival in 2007.

It threw me into a deep depression that lasted for about three days before I snapped out of it (I’m making it sound fantastic, aren’t I?), and spurred me to stop “talking the talk” and actually act.  After watching The Planet, I resolved to heavily reduce my intake of meat (to one meal-with-meat a week at most), and to stop flying as much as possible.  That winter I took a bus to Toronto.  (For what it’s worth, there is little discussion about the environmental impacts of meat production in the film, and there aren’t many specifics about air travel - I knew all that beforehand.)  The film takes a “big picture” view of things, so it covers a lot of bases - but can’t get into a great deal of detail.  I knew some of what it covers already, but seeing it so artfully compiled into one place was a real shocker.  There’s even a brilliant section about the human response to all this impending disaster: denial.

I’ve been looking for this film since I saw it.  The reason why I’m posting about this now is because I just discovered that someone has put the film up on Youtube.  It’s in 9 parts, and is just over 80 minutes long.  For convenience, I’ll embed all the parts here, with all but the first part beyond the jump.  It’s good.  Please watch it, and show your friends.


(more…)

Passive Income is Criminal

March 6th, 2009
What Might Have Been A Knife Fight

What Might Have Been A Knife Fight

[This can be seen as an extension of my post from last week.]

Some months ago, a friend of mine went to one of those seminars about becoming and remaining wealthy.  Not exactly a “get rich quick” seminar - his goal was mostly to learn how to manage his money better.

One of the key points of this seminar was that in order to become wealthy, your “passive” income should equal and eventually surpass your “active” income.  Your goal is to make more money in your sleep (from stocks, real estate, what-have-you) than you would by working your day job.

In short, the best way to become wealthy is to never do any work yourself.  When the money you make through the labour of others surpasses the money you make on your own, you’re in the clear.

Alarm bells!  This is monstrous.

That it is accepted by many (most?) is bad enough, that it can be held up as one of the shining achievements of capitalism is despicable.  The moment our lifestyle is provided solely by others’ work is the moment exploitation begins.*  I say this, though I have a small assortment of blue chip stocks, some money in mutual funds, and money in the bank (which plays the stock market with my money, whether I want it to or not).  I’m guilty, too.

This is the crux of the problem: in order to have any sense of security (assured food and shelter) in this wretched system, one must participate in it.  It’s possible to live off the grid, but it is also isolating,  extremely work intensive, and does little to alter the grander structures.

Of course, in the wake up the ongoing financial crisis, this post may become largely irrelevant.  People still make money from rent, which is essentially charging money for something they don’t use.  There’s still money in stocks (somehow), which is speculating on the speculation that a company will continue to do well, without actually putting any funds into the company itself - all the while making money from the efforts of the people working at said company.   However, the continuing crash of real estate and the stock markets may render the notion of “passive income” defunct for all but the richest elite.  Whether all the inevitable suffering will result in positive change remains to be seen.  All we can do is keep working at it ourselves, generating our own bright futures.

* I should qualify this statement a little.  Since I am at my heart a collectivist, I definitely believe that a kind of interdependence within a community is not only acceptable, but important.  The idea of a commons (any publicly held land, good, service - see also this Wikipedia link page) is key to any well-functioning society.  The problem with passive income is that it is purely extractive - it contributes nothing to any community, save what little is siphoned off by taxes.