Ink and Watercolour on Bristol
This was written for Cloudscape Comics‘ upcoming animal-and-kid-themed anthology, “Megafauna”. It’s the first time we’ve done an entire anthology with all-ages friendly content! I haven’t seen all the stories yet, but from what I’ve seen there’s a lot of really strong work. This is the first comic I’ve done for a Cloudscape book for a couple years, and I’m really excited to be a part of it! Pages 2-9 are after the cut.
Coloured Ink on Bristol
This is one of four short vignettes about bus travel (based loosely on personal experience) that I wrote for Cloudscape‘s upcoming anthology: 21 Journeys. We’ve finally gathered up enough funds to print the thing – it’s going to be over 200 pages, full colour. Exciting! Keep an eye out on Cloudscape’s webpage, our Twitter account, or our Facebook for more news of the book. This’ll be a strong one, mark my words! Pages 2-5 after the jump.
Ink on Bristol
This was written for Cloudscape‘s fourth Anthology, the sci-fi themed Exploded View. I had been wanting to write a comic about Uganda for a while, but it was going to be about my time volunteering there in 2006. Unfortunately, I am boring, and the story would have been boring. Instead, I used some of those images and wrote this. Pages 2-14 after the jump.
Ink on Bristol, Photoshop
This was my second comic with Cloudscape Comics, published in our third anthology: Funday Sunnies. It was a humour issue, but since I am very bad at “deliberate humour”, I tried to figured out what the most “deliberate” kind of humour there was. The black-and-white inks are here.
Ink on Bristol
This comic was the first comic that I published with the Cloudscape Comics Society, for our second book: Historyonics. It was a real challenge, because I have never been to England, and yet here I was writing a comic about its history (in a rough approximation of the style of political cartoons from that era, no less). That’s why the dialogue is so forced. Pages 2-6 after the jump.
